On March 17, 2026, as part of Moscow Fashion Week, Alibek Musaev took part in preparing the show for the designer with the eponymous name "Suzanna Bars."
The task was large-scale: to coordinate the well-coordinated work of stylists, makeup artists, artists, and craftsmen, to prepare the models for the runway, to hold a dress rehearsal, to ensure the uninterrupted operation of the venue and the seating of more than 800 guests — and all of this under strict timing.
This show was supposed to become the most anticipated of the fashion week — and it did. Guests eagerly awaited the unveiling of the new collection "The Garden of Forgotten Dreams," longing to immerse themselves in the art of Susanna Bars' magical hands. They knew: the designer is able to touch even the most stony hearts through her creations and melt them. And this day was no exception.
The show was opened by the luxurious and inimitable Nata Kvint. She was wearing a bolero of long, fluffy fur and a voluminous, flowing black skirt with draping made of matte taffeta. On her face — a perfect porcelain tone. The main accent — graphic, aggressive winged eyeliner with blending, visually elongating the eyes (the "cat-eye" effect), and a deep terracotta-red lip color. The look conveyed cold, unattainable elegance.
The culmination of the show, its final and most powerful chord, was the entrance of the Shepherd (an allusion to Jesus Christ, peace be upon him) in a scarlet cloak with a white lining, holding a white lamb in his arms — a symbol of sacrifice, innocence, and redemption (Agnus Dei). And right after, Suzanna Bars herself came onto the podium to share this moment with the guests and express her gratitude to them. Her appearance became not merely a formal conclusion, but a personal, sincere gesture that made the finale even more poignant.
The event struck the hearts of all the guests and moved them to the core. After the show ended, the guests did not leave for a long time: some were crying, others sought to shake the designer's hand and give gifts as a sign of deep respect.
The task was large-scale: to coordinate the well-coordinated work of stylists, makeup artists, artists, and craftsmen, to prepare the models for the runway, to hold a dress rehearsal, to ensure the uninterrupted operation of the venue and the seating of more than 800 guests — and all of this under strict timing.
This show was supposed to become the most anticipated of the fashion week — and it did. Guests eagerly awaited the unveiling of the new collection "The Garden of Forgotten Dreams," longing to immerse themselves in the art of Susanna Bars' magical hands. They knew: the designer is able to touch even the most stony hearts through her creations and melt them. And this day was no exception.
The show was opened by the luxurious and inimitable Nata Kvint. She was wearing a bolero of long, fluffy fur and a voluminous, flowing black skirt with draping made of matte taffeta. On her face — a perfect porcelain tone. The main accent — graphic, aggressive winged eyeliner with blending, visually elongating the eyes (the "cat-eye" effect), and a deep terracotta-red lip color. The look conveyed cold, unattainable elegance.
The culmination of the show, its final and most powerful chord, was the entrance of the Shepherd (an allusion to Jesus Christ, peace be upon him) in a scarlet cloak with a white lining, holding a white lamb in his arms — a symbol of sacrifice, innocence, and redemption (Agnus Dei). And right after, Suzanna Bars herself came onto the podium to share this moment with the guests and express her gratitude to them. Her appearance became not merely a formal conclusion, but a personal, sincere gesture that made the finale even more poignant.
The event struck the hearts of all the guests and moved them to the core. After the show ended, the guests did not leave for a long time: some were crying, others sought to shake the designer's hand and give gifts as a sign of deep respect.